Start here for a slick modern tom sound band 1.
Floor tom parametric eq.
More thump 4 at 200hz more attack 4 at 4 5khz more stick 6 at 7khz more air 2 at 10khz high shelf rack tom and floor tom drum eq recipes.
Mixing toms eq goes first.
Drum mixing eq compression and gate expander by ross stratton from mike lee band duration.
18 x 16 export series exx1816f c21 chrome shell hardware mixed drum shell made of asian mahogany and poplar wood for deeper more voluminous sound foil wrapped colour.
Start with a high pass filter and cut the low low end.
Simply set the gate so that the vibrations in between hits are not heard.
I love this plugin on stereo sources or busses too as it has a mid side feature that allows different hpf lpfs and parametric eq s on both the mid and sides.
3 000 to 4 000 hz attack.
This is a great use for gating.
Part 2 of 2.
50 100 hz boost to add low end punch beware of boosting too much though as it can clutter up the low end and get in the way of the other.
Mike lee music 70 069 views.
Too much and things will sound well boomy remove too much and your toms will sound like cardboard boxes.
Depends on tuning but a good place to look for the boom of a tom sound.
It can add marvelous color to the signal while maintaining the whole character of the original sound.
Big floor toms have a fuller sound around 80 100 hz but smaller toms might need to be boosted even higher around 100 200 hz.
When the floor tom is mixed so that you feel it in your chest even the slightest head vibration will be amplified through the sound system as low frequency feedback.
50hz to 100hz is a good start.
Add the lows add more lows to get a thicker tom sound.
Igs iq equalizer is a modern application of the noble sound of analog equalizers.
You can bring out some extra air on the tom tracks by using a high shelf of 2 3db starting in the 5 12khz range.
100 to 300 hz body.
Sample gate settings for floor tom.
Different genres have different drum eq but those two areas are universal when it comes to a good kick drum sound.
Just as it sounds this is the the attack of the drum itself from a stick on its head.
Just like the kick drum remove a pretty big portion of the 200hz to 400hz region.
Floor tom eq from a live recording of the same artist as the sd11 screenshot.
Cut the boxy frequencies until you hear your toms getting thicker.
You can adjust your filter depending on how the tom was recorded and how fat the tom is the floor tom is the fattest.
This is useful say if i have a stereo keys and a guitar taking up the same range.
This very precise parametric equalizer works great on every stage of production.